art, Books, illustration, Life, List, sketchbook

My best books of 2021

Last year I didn’t read as much as I usually do, what with one thing and another, but I ended up with some good ones. Here are the highlights.

Humankind: A Hopeful History by Rutger Bregman: Recommended by pacificleo, it was one of my best books of the year.

Voices of Dissent by Romila Thapar: This essay puts today’s responses to resistance in perspective, by charting out the history and evolution of dissent from the vedic times. A worthwhile read, even though the language was quite academic. (If you buy from Seagull, you can choose your version of the cover, designed by the brilliant sunandinibee.)

Among graphic novels, I read some beauties: Japanese Notebooks: A Journey to the Empire of Signs by Igort, The Winter of the Cartoonists by Paco Roca, Hostage by Guy Delisle, Leonard Cohen: On a Wire by Pilippe Girard and some more that I shared in Graphic novels by women.

Last year I also updated my perspective on feminism with We should all be Feminists by Chimananda Ngozi Adichie and Against White Feminism by Rafia Zakaria.

Some other books that I enjoyed were Funny Weather: Art in an Emergency by Olivia Laing, Daybook by Anne Pruitt and The Pursuit of Art by Martin Gayford.

In fiction The Startup Wife by Tahmina Anam was enjoyable and different, as was Crudo by Olivia Laing and No One is Talking About This by Patricia Lockwood.

Our best pastime was drawing with Making Comics by Lynda Barry that Guto and I used throughout the year.

I thought I hadn’t read much, but now I’m getting tired just looking at this list. Oh well, life is short, and my eyes won’t last.

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art, Books, sketchbook

Daybook: The journal of an artist

One of my best books last year was Daybook: The Journal of an Artist, by American artist Anne Pruitt. I wasn’t familiar with her work before and not even sure how I came across this book, but I enjoyed it immensely.

The book is a collection of Ms. Pruitt’s journals over multiple years, and she touches upon so many of the dilemmas we ourselves have felt. We, as in, anyone trying to balance motherhood and artistic or creative pursuit, to begin with, but also, for any artist who has ever questioned intuition, instinct, and flow in their own work. Here’s a map I was making while reading the book.

Her thoughts on art are highly conceptual, and she articulates them beautifully. Ms. Pruitt was a psychologist before she became an artist, and maybe that’s one reason she is able to tease out details of her experiences and subconscious thoughts with such great clarity, and in such elegant prose.

Here’s one of my favorite quotes from the book –

“The meaning of our experience is held in the infinity”

Anne Pruitt

…which is about how we derive meaning from the short intervals between our sensory perceptions. As usual I drew it in my sketchbook.

By the way, WordPress was a bit of a letdown while making this post, and readers you may have some challenges here and there as well. First, the WordPress iPad app got stuck multiple times and so I gave up drafting there and used my laptop. And now there are other issues with the standard post format that I tried to resolve for the last half an hour. Oh well, tech.

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Books, sketchbook

Not islands, but a life

Finally this year, the travel bug bit me hard. As we have all discovered, one can only do so much within the confines of one’s own home, and so I started reading travel books.

One part of Monisha Rajesh’s journey

After finishing Around the World in 80 Trains, I read From the Alleghenies to the Hebrides by Margaret Fay Shaw. She was a folklorist, a collector of Gaelic music, and an early photographer, and in this book she shares how it was, living in the remote Scottish island of Uist between 1925 – 1935.

The book was so detailed it was as if we were right there, looking over her shoulder. I think she must have kept diaries to be able to remember in such great detail.

Here’s a sketch that I made while reading about what they usually ate there.

“Don’t watch it being made, or you’ll never want to eat it again!”

Every once in a while you end up reading something that you don’t usually read, and this was one such book. Ms Shaw’s voice comes through joyously through the pages after all these years, and I ended the book thinking that she must have been quite a nice person to know.

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Life, sketchbook

From The Garden of Life

Whoever buys a book and opens it fifteen years later…and finds it an absolute gem? The Garden of Life is one such discovery I made a few weeks ago.

It’s beautifully illustrated with original miniature paintings made specially for the book.

The page on hibiscus reminded me of the hair oil, Jabakusum, my mother would apply on our hair as children. Though effective, it was pungent, and we hated going to school with such smelly hair…

Looking back now, I don’t know if Jabakusum is still sold, but the packaging was very memorable, with quite an aspirational illustration, you might agree…

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art, Books, sketchbook

‘If you’re lonely, this one’s for you’

If there was ever a book for the pandemic, it was this one for me – Olivia Laing’s Lonely City – Adventures in the Art of Being Alone. Though written in 2016 I could not believe it was not written about the early days of the pandemic, our first experiences of living through a lockdown, and a disease for which, at the time, there was no cure…

Simply put I just loved this book. I read it first on Kindle, then bought a paperback and read chapters multiple times. Olivia Laing is a genius and a master of art and language. She skillfully weaves her experiences of being lonely in Manhattan, through the stories of these artists in Manhattan who had used their loneliness to create, and derives the most definitive insights about loneliness and art.

As always I keep drawing as I read.

Andy Warhol

“If everybody’s not a beauty, then nobody is.”

Andy Warhol
David Wojnarowicz

“Art was a way to bear witness; to reveal things I’d always felt pressured to keep hidden.”

David Wojnarowicz

One parallel to our present time was of course the loneliness that people felt as they stayed shut up in their houses. We often overlook the smallest social interactions we have in shops, with neighbours and so on. It’s even more pronounced if you live by yourself and then these small interactions are also missing. There is a universal human need for connection, for reaching out, for just being seen. I remember my first few weeks in Sweden when I didn’t know anyone. Swedes are wonderful, gentle people, but terribly shy, and they really respect each others’ personal space as well. For most, it means not even making eye contact. So you can imagine, even a smile from a shop assistant was a special day for me. For the first time in weeks, I felt seen.

The other parallel was the onset of the AIDS crisis in the States, and how the gay community were shunned and excluded. India’s Covid Relief has by default excluded multiple marginalized communities. (If you want to help, take a look at #DesignUpForACause)

Despite, or maybe because of all the pain, I found the book so uplifting and inspiring. I would read a few pages every night, these moving accounts of the pain and suffering that gave birth to so much art, and how they created what they did, and feel inspired and grateful.

Looking at Strange Fruit by Zoe Leonard

There are so many things art can’t do…but it does have some…odd negotiating ability between people, including people who never meet and yet who infiltrate and enrich other’s lives. It does have a capacity to create intimacy; it does have a way of healing wounds, and…of making it apparent that not all wounds need healing and not all scars are ugly…

Olivia Laing, Lonely City
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Books, sketchbook

Books of 2020

Like everyone else, I probably broke my all time record for reading in 2020, so this is going to be the first of a series of book posts over the months.

Spring 2020 – Grapefruit by Yoko Ono, Daily Rituals by Mason Currey, Michael Rosen’s Book of Play and Keep Going by Austin Kleon.

Grapefruit was an experience – I found that it was an “early example of conceptual art“. I go back to The Book of Play and Keep Going again and again, both are inspirational and great for sparking ideas.

I don’t remember much about Daily Rituals, though, except that it gathered the routines of a large and diverse set of people, and it really doesn’t matter whether you’re a morning person or a night owl, or whether you get up at 5 am like Medium articles recommend! Here are some of the sketches I had made while reading it – about Patricia Highsmith and Frederico Fellini.

Some other book posts from 2020: Sputnik Sweetheart (So many vaccine puns :P), a bit from Ruined by Design in The Difference between Friday and a Fried Egg (mustread for designers today) and Letters from Tove in Fjords & Islands

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Life, Reflection, sketchbook

Learning to practise Maitri

As I realised that day, I felt in dire need of growing some kindness. Maybe it was due to the daily bustle of everyday life, or continuously missing the opportunities to practise, my kindness diminished and receded until some strangers’ kindness took me by such surprise!

As always I turned to Pema in my search for growing kind:

She talks about Maitri, the Budhist concept of loving-kindness. It starts with being honest, loving and compassionate towards oneself. It’s unconditional, she says.

Aspire to be happy. Find the tenderness of feeling love, or the vulnerability of feeling lonely inside yourself.

She encourages us to become aware of when we’re closing down and erecting barriers, and to always have a clear aspiration for happiness:

“May I and others enjoy happiness and the root of happiness.”

Maitri essentially starts with locating in yourself an honest feeling of goodwill, and then encouraging it to expand…

The anteater as always, being helpful: “Without someone to irritate you, you’ll never get a chance to practise.”

Anyway…I’m still on that quest. Drawing about being kind doesn’t really make it happen – I have to actually find the opportunities to practise it in my life.

Related: A divine collision (2011) and My year of spirituality (2015)

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Books, sketchbook

Reading Sharp

Last year I read Sharp: The Women Who Made an Art of Having an Opinion and it was immensely inspiring. The women in the book whose lives and work are chronicled are Dorothy Parker, Rebecca West, Zora Neale Hurston, Hannah Arendt, Mary McCarthy, Susan Sontag, Pauline Kael, Joan Didion, Renata Adler and Janet Malcolm. In fact after this book, I went on to read another book by Janet Malcolm which made me read another book and another, and so on.

Anyway in a nutshell what really inspired me was the incredible resilience all these women had, in the face of terrible partners, abandonment, difficult motherhood, creative and psychological rejection, financial troubles — apart from the usual baggage women subject themselves to — but they still kept at it! Some with a smile and poise, and some with just dogged determination. Great motivation for our ordinary, easy lives.

“I wanted to be cute. That’s the terrible thing. I should have had more sense.”

Dorothy Parker

” The critic shouldn’t need to tear a work apart to demonstrate that he knows how it was put together. The important thing is to convey what is new and beautiful in the work, not how it was made.”

Pauline Kael
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Books, Design, Life, sketchbook

Reading “White” by Kenya Hara

Like I posted earlier, I read White last year and loved it. Here’s a drawing I made during that time.

white

[WHITE
Every morning I sit and drink my coffee and read a few pages of White in silence and calm, and it’s a beautiful meditative experience reading this book. I feel thankful for life and everything that is still left in this world for me to wonder at.]

Read it for the experience as well as for the content.

From the sketchbook called Captivity (Feb 2017).

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