art, Books, sketchbook

Read a book you hate

I read a lot of books in 2017 and Fear and Loathing in Las Vegas was one of them. I’ve always steered very clear of psychedelic fiction, being the straight-laced person that I am, but when I received the exact same edition on two separate occasions from two very close friends, I had to finally read it.

No, this is not a good town for psychedelic drugs. Reality itself is too twisted.

All the references to the Rolling Stones’ music and The Doors’ music was quite an educational journey for me – [who] steered so clear of all this narcotic-induced visions. This could be one of those “Read a book you hate” challenges!

I remember reading it and feeling quite hot, the language was so evocative of the Las Vegas strip and hot US highways in summer, and didn’t hate it as much as I expected to.

Here are some images from Google:

From Google

Ralph Steadman and Hunter S. Thomson had met once and it hadn’t gone too well: “A year later, Steadman was asked if he’d like to illustrate another, much longer, piece of Thompson’s for Rolling Stone magazine – about a drug-crazed trip Thompson had just made to Las Vegas with his Samoan attorney….Despite never having been anywhere near Las Vegas, he set to, and four days later sent off his drawings. “I was quite pleased with them, I remember. I thought I’d managed to complement the style of Hunter’s writing.” When the drawings arrived, Thompson anxiously unrolled them. “Ye gods,” he recalled. “Every one of them was perfect.” Fear and Loathing in Las Vegas was a huge hit and the two of them became friends. Under Thompson’s influence, Steadman’s work changed. “My drawing got stronger, less flaccid. He exposed me to the screaming lifestyle of the US.” But it was a friendship that came at quite a cost – to Steadman anyway.”

Have you read Fear and Loathing in Las Vegas? Would love to know what you liked about it.

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sketchbook

This also happens!

As I mentioned before, the last two years were busy years – our little tornado is still under five and needs enough hand holding and attention, and both the brown boy and I work full time. Sometimes I’m glad to have the anteater reminding me to draw –

Anteater: You haven’t been drawing much these days

Soo: Drawing…what’s that?

Anteater: You should change the way you draw yourself…

Soo: Oh really…?

Anteater: Have you seen yourself lately? Here take this mirror.

Soo: Mirror? I’ve been seeing myself on video calls.

Anteater: Really? Hmmph.One must take care of one’s appearance you know? (Aside: Hmm, That’s the first sign of insanity…not caring about appearance…)


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Life, sketchbook

A Bad Day at Work: Surviving Work, Part 3

As I said the other day, all through 2017 I was drawing out my stress. One day, after an incredibly difficult meeting I came back to my desk, and took a few minutes to quietly straighten myself out.

TRANSCRIPT

    01: Soo: Thankful I can draw
    02: Soo: Ah…Instagram…
    03: Instagram post
    04: Soo: Quickly finish this then go home for the next meeting
    05: Soo: Ma? Umm..hmmm
    06: Soo: I’m OK, I’m at work. Such a bad –
    07: Ma: Oh you’re at work? I saw your post on Instagram – I thought something was wrong with Orin! Bye!

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drawing, Life, sketchbook, Work

Surviving work, part 2

It was early 2017 when I first started to use my drawing to deal with work stress.

I was still grumpily trying to understand what my role as a Design Manager should be, and the anteater, as usual, gave his sage advice:

Sometimes all you need is a different perspective on life, like The Principles of Uncertainty by Maira Kalman.

stress02-3

And I also finished reading M Train by Patti Smith around that time.

stress02-4

While all this helps momentarily, there’s actually larger causes for work stresses which need to be carefully resolved. But of course, I didn’t know that then…

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Event, Technology, Work

Grace Hopper Celebration India 2018: A designer’s perspective

It was my first ever Grace Hopper India Conference for women in tech and having a reputation as a top conference for tech, I had high expectations from it. And more so because it was organized by women – who were, from my experience in corporate life, organized, efficient, empathetic and warm.  And this year there was even a Design in Tech track. Naturally I was curious and interested.

This year the event was very large with nearly 5000 attendees, 440 companies, and about 300-400 odd attendees from Microsoft itself. There was also 1% men in attendance, the largest ever in GHCI, as we heard in the keynote.


A celebration of women in tech

Beyond the usual welcome and introductions, the first keynote speaker was Lori Beer (Global CIO, JP Morgan Chase). She shared her journey of moving from technology to finance. The key takeaway from her keynote was her message to Pay it forward – what kind of impact can you make in your own way, how you can support other women in the field and what can you give back to the women in tech community.

All the first day talks, including the keynotes, were almost calls to action to the women attendees – about owning their career and believing in themselves. It might seem redundant for some, but for most of the audience, these messages really resonated because we work in a primarily male-dominated profession, even now.

I’ve always been a designer in tech and for most of my career I have been the only woman in the room and had never seen women at the India leadership level until recently. Younger colleagues have asked me why that matters, but it does.

It takes a lot of grit to speak up when you’re the only woman in the room when you might be the only one with a different point of view. It takes a lot of determination to overrule interruptions and still make your point. It takes a lot of perseverance to imagine your own career path when you don’t identify with any of the role models in front of you because they didn’t have to make the same choices of pregnancy, motherhood and parenting.  It takes a lot of courage to come back to work and prove yourself again and again because you made different choices than the people in power.

For many, this set the tone for the rousing and motivating experience for the next 3 days.

However what could have been done better was to include the male attendees into the conversation, but there was no acknowledgement of the men and how the genders can collaborate/support each other better. After the first initial mention of the 1% men stat they were forgotten in most of the sessions I attended. Like SheroesSummit, this could have been a great platform to not repeat the biases of the past and start on a more inclusive note, and possibly including different gender identities.

Design and tech

The conference content was significantly tech-intense and of good quality from what I heard and experienced. There were at least 5 parallel tracks running so it was quite easy to miss out.

Though the organizers had tried to address multiple themes within Design in tech, like de-mystifying Design, Design Thinking, the journeys of a few well-known women Design leaders, and how to transition to a UX career if one is so inclined, there was a fundamental lack of interest in the evolution of Design in Tech or in trying to understand the relationship between Design and UX – the terms were used pretty interchangeably. For a number of attendees, this was an intro to Design so there was a risk of miscommunicating the concept of design and its role in technology.

These were the talks that stood out for me:

Inclusive Design and Accessibility: Swami Manohar from Microsoft Research

Dr Manohar began by talking about recognizing your privilege and exclusion, before addressing inclusive design, and why diverse perspectives matter. His point of view, which is Microsoft’s point of view about Inclusive Design is that if we make it better for the usually excluded group of users, we make it better for everyone.

From How to Design, Innovate, and Create Designs that People will Love: A panel with women design leaders.

“Wait for the right moment of insight – a non-obvious, disruptive insight.”

Sonia Manchanda

 Among the panel there was Sonia Manchanda and Anuradha Madhusudan who really stood out for me.

“Ask yourself, does this idea fit into the narrative of the company?”

Anuradha Madhusudan

It was interesting for me to see how much curiosity there was around design. It shows that not only is there a lack of designers in the field, but also not enough designers who can demystify and evangelize their process and work to their tech partners in meaningful ways. There was a whole session on developers who want to become designers.

A case study about how these developers, Sampada and Aslesha, used design thinking to solve a real problem. I was quite impressed by their level of empathy and how they learnt and applied the design process while solving this problem.

This talk Design for Conversational Interactions by Vidhya Duthaluru and Vandana Abraham was really good, crisp and useful. From a project they had done for Uber, Vidhya succinctly identified all the steps one needs to think about while moving an interaction to a conversational experience.

This was a set of useful conditions to know while Designing for Emerging Markets by Muzayun Mukhtar.

The gender conversation

As I mentioned above, this was a celebration of women in tech. But the idea of “women in tech” itself was a bit fuzzy to some. In almost every talk I attended, by women and men presenters both, there were some sweeping statements about why women would be good at design or women would be good at accessibility or women would be good at storytelling – it’s not about gender, it’s about the person and the skills! This not only reinforced gender stereotypes but also diminished the content of their talk for me.

Despite this and some other logistical challenges, #ghci18 was a great experience and I also managed to catch up with friends from elsewhere at the conference. I met a number of really nice women and found that spending time in the company of women can be very supportive and affirmatory. If nothing else, that’s one good reason to go to women in tech conferences every year!

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drawing, Life, sketchbook, Work

Surviving work

The last two years have been incredible years of growing for me in my professional life. Challenging work, difficult situations, and always the need to build trust from bottom up.

These are some of the earliest drawings from those days:

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201702-work-2

What kept me going was the long game, and guiding myself with

Progress, not perfection

which I learnt from this 99u talk by Effie Brown.

I also draw myself out of stress, since drawing is nearly therapy for me. The 2017 and 2018 sketchbooks are filled with “stressy” drawings – as my friend Uli would say – like this one:

201702-work-3

After a while though I got used to it, and learnt how to survive difficult days

201702-work-4

Though our man, the brown boy, did have the last word:

“Ultimately, it’s all about having a good time. Later on if you feel you haven’t enjoyed yourself it’s not worth it.”

201702-work-5

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Life, sketchbook

To new beginnings

IMG_0077.JPG

This is what 2018 looks like in my life. Almost 8 journals finished, though there were days and weeks when I couldn’t bring myself to draw. It’s natural sometimes when going through moments of great change, that it takes a while before you find yourself again.

In between all the drawing life unfolded. And in September we moved to Hyderabad, where I started a new job with Microsoft, as one of their design leaders of Microsoft Edge (the browser). Now sixty days in we’re still settling down and coming to terms with a new city and new people.

 

20181117-hyd

If you’re around, don’t hesitate to hit me up!

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Books, Design, Life, sketchbook

Reading “White” by Kenya Hara

Like I posted earlier, I read White last year and loved it. Here’s a drawing I made during that time.

white

[WHITE
Every morning I sit and drink my coffee and read a few pages of White in silence and calm, and it’s a beautiful meditative experience reading this book. I feel thankful for life and everything that is still left in this world for me to wonder at.]

Read it for the experience as well as for the content.

From the sketchbook called Captivity (Feb 2017).

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List, sketchbook

Welcome to inktales

In May 2018 this blog inktales completed 12 years. That’s a really long relationship in my life, second only to the brown boy! At 10 years I found that I had nearly 120 sketchbooks – those have contributed to nearly 600 posts, despite the ebb and flow of sharing. And after a gap of nearly 3 years, I’ve started posting again a few weeks ago.

For new friends and new visitors, here’s a list of my favorite posts over the years:

About inktales

theslowart

A guide to inktales

Zones of privacy and The slow art of bookmaking

The brown boy and how we got together

011

The story of us

Living in Mumbai 1: First attempts & Living in Mumbai 2: The designer’s solution to all problems

The hero complains

False Representation & Epilogue

My year of spirituality

201604-orin-brownboy

My friend the anteater

In which I try

Creative Block 2

Anteater wisdom

Conversation – part 9

anteater_20161107_1

My family

Losing sweets

A fish tale

The Mumbai chronicles

Our labor story

Studying in Sweden

20100504.png

Things I miss about home

Leaving | Leaving the film

Food & Travel

20100423-2

A divine collision | What happened in Dharmsala

The brown boy in Paris

A book’s tours | In which a book I bought in Seattle sends us to Paris

Soapbox wisdom

parenting

Parenting and your sense of self

Motivation

Metaphysical | Deconstructing feelings and change

Paris, not me | Thoughts on romantic love

Being happy

Alternative careers

Some more

090425a

The body rebels

Always answer the phone

Dog on Friday

Unwelcome visitor

Getting where we’re going | Living everyday

Not drawing

Holiday Journal 2 | How drawing saves me

Friends

Girl, one, Pacificleo, love

The Big Joshi

The one and only Parsa

Fan, one and only

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People, sketchbook

To new friends

Two people, who have since become dear friends, began their entry into my life with the following introductions:

friends

What pressure, now I see, for me to be the messenger of “new things” in their lives. Novelty, thy middle name should be “Soo”.

Have you ever given a thought to why you become friends with someone?

From the sketchbook called Captivity, Feb 2017.

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