As you know the brown boy is an animation filmmaker, and while he makes really lovely animated characters, I think in real life he is quite entertaining as well. Here’s a coffee date drawing where he was talking about sound and voiceover in films.
But Orin probably doesn’t think we are as entertaining! His parents’ all time favourite thing to do is drawing!
I’m lucky that some of my best friends are empathetic, inclusive, generous and kind human beings. They usually take a lot of pains to show that they are not, by the way, but sometimes their views on women are so illuminating to me simply because of their gender.
“Women and babies: They take all the opportunities (given to them) and squeeze everything they can out of them.”
“Probably they don’t feel as entitled as men,” qualified the brown boy.
But they are always, always, more intellectual, says Pacificleo, having tried to become one himself just for dates during his social butterfly youth.
Ladies, do you agree? Do you squeeze everything you can out of opportunities? Maybe we do it sub-consciously, I never feel like I do anything with opportunities! But I am clearly intellectual, at least!
I read a lot, and these days I also draw about the books I read. In 2017 though, my reading didn’t feature as much in my drawings. Here are 20 from 2017 in no particular order and the drawings.
SATURDAY A day spent reading about art, design, writing. And making drawings about them and thinking.
A woman looking at men looking at women (Siri Hustvedt): I’ve been a fangirl of SH since I read The Enchantment of Lily Dahl and The Sorrows of an American, and I enjoyed this one more than Living, Thinking, Looking, not least because of the essay she wrote about sculptor Louise Bourgeois, who I was just getting interested in.
Feeling is crucial to understanding a work of art. “Einfuhlung” coined by Robert Vischer in 1873 is “a way of feeling oneself into a work of art,” which ultimately becomes “empathy” in English. The meaning of an object influences the feelings it evokes.
Re-read Redesigning Leadership (John Maeda): As always I go back to reading John Maeda’s books at crucial times in my life. I was so happy to read this book while struggling with the leadership role. I think what I liked most was another way of approaching leadership – the artistic approach which I really resonated with. This was drawn on a flight layover.
I read a lot of books in 2017 and Fear and Loathing in Las Vegas was one of them. I’ve always steered very clear of psychedelic fiction, being the straight-laced person that I am, but when I received the exact same edition on two separate occasions from two very close friends, I had to finally read it.
No, this is not a good town for psychedelic drugs. Reality itself is too twisted.
All the references to the Rolling Stones’ music and The Doors’ music was quite an educational journey for me – [who] steered so clear of all this narcotic-induced visions. This could be one of those “Read a book you hate” challenges!
I remember reading it and feeling quite hot, the language was so evocative of the Las Vegas strip and hot US highways in summer, and didn’t hate it as much as I expected to.
Ralph Steadman and Hunter S. Thomson had met once and it hadn’t gone too well: “A year later, Steadman was asked if he’d like to illustrate another, much longer, piece of Thompson’s for Rolling Stone magazine – about a drug-crazed trip Thompson had just made to Las Vegas with his Samoan attorney….Despite never having been anywhere near Las Vegas, he set to, and four days later sent off his drawings. “I was quite pleased with them, I remember. I thought I’d managed to complement the style of Hunter’s writing.” When the drawings arrived, Thompson anxiously unrolled them. “Ye gods,” he recalled. “Every one of them was perfect.” Fear and Loathing in Las Vegas was a huge hit and the two of them became friends. Under Thompson’s influence, Steadman’s work changed. “My drawing got stronger, less flaccid. He exposed me to the screaming lifestyle of the US.” But it was a friendship that came at quite a cost – to Steadman anyway.”
Have you read Fear and Loathing in Las Vegas? Would love to know what you liked about it.
As I mentioned before, the last two years were busy years – our little tornado is still under five and needs enough hand holding and attention, and both the brown boy and I work full time. Sometimes I’m glad to have the anteater reminding me to draw –
Anteater: You haven’t been drawing much these days
Soo: Drawing…what’s that?
Anteater: You should change the way you draw yourself…
Soo: Oh really…?
Anteater: Have you seen yourself lately? Here take this mirror.
Soo: Mirror? I’ve been seeing myself on video calls.
Anteater: Really? Hmmph.One must take care of one’s appearance you know? (Aside: Hmm, That’s the first sign of insanity…not caring about appearance…)
As I said the other day, all through 2017 I was drawing out my stress. One day, after an incredibly difficult meeting I came back to my desk, and took a few minutes to quietly straighten myself out.
TRANSCRIPT
01: Soo: Thankful I can draw
02: Soo: Ah…Instagram…
03: Instagram post
04: Soo: Quickly finish this then go home for the next meeting
05: Soo: Ma? Umm..hmmm
06: Soo: I’m OK, I’m at work. Such a bad –
07: Ma: Oh you’re at work? I saw your post on Instagram – I thought something was wrong with Orin! Bye!
While all this helps momentarily, there’s actually larger causes for work stresses which need to be carefully resolved. But of course, I didn’t know that then…
The last two years have been incredible years of growing for me in my professional life. Challenging work, difficult situations, and always the need to build trust from bottom up.
These are some of the earliest drawings from those days:
What kept me going was the long game, and guiding myself with
I also draw myself out of stress, since drawing is nearly therapy for me. The 2017 and 2018 sketchbooks are filled with “stressy” drawings – as my friend Uli would say – like this one:
After a while though I got used to it, and learnt how to survive difficult days
Though our man, the brown boy, did have the last word:
“Ultimately, it’s all about having a good time. Later on if you feel you haven’t enjoyed yourself it’s not worth it.”
This is what 2018 looks like in my life. Almost 8 journals finished, though there were days and weeks when I couldn’t bring myself to draw. It’s natural sometimes when going through moments of great change, that it takes a while before you find yourself again.
In between all the drawing life unfolded. And in September we moved to Hyderabad, where I started a new job with Microsoft, as one of their design leaders of Microsoft Edge (the browser). Now sixty days in we’re still settling down and coming to terms with a new city and new people.