Life, sketchbook, travels

Holiday journal, 2

Like I said, poor Orin had to fall ill within two days of the holiday. Just the usual viral fever. When he was sleeping, I was drawing, reading and moping for the lost holiday.

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Here are some sketchnotes I made while listening to this On Being podcast with Maira Kalman and feeling thankful for small pleasures.

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“To be under a tree with Maira Kalman and her talk on angst and ritual: bliss.”

Brief moments of watching the sea. Nature is such a miracle.

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After Joan Didion, I re-read The Emigrants by WG Sebald. Ever since I discovered them on Rukminee’s bookshelf, I re-read one every year.

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“The seasons and the years came and went…and day by day, hour by hour, with every beat of the pulse one lost more and more of one’s qualities and became less comprehensible to oneself, increasingly abstract.”

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Extended solitude makes me write more: “Drawing is easy and lets me construct my own alternate version of reality. Because doesn’t everyone do that, only I do it in visuals. Sebald apparently started writing his beautiful immersive transporting prose where stories blur the lines between fact and fictions, events and the recounting of them, and the memories of events, because he wasn’t satisfied with academic historical writing or with current biographical prose. Drawing is easy; because like Maira Kalman says,

“Writing is too serious and angst-ridden.”

Like life.

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“Seeing, Hearing, Listening

When we see someone often we only see what we want to see, and what we think should be there. The eye joins the cognitive dots and sends the visual to the brain (??)

But drawing gives us a chance to really look at something, explore it with our eyes, see without bias.

It’s a bit like active listening, being open and then responding. Why do I enjoy drawing from memory? It is after all a reconstruction.”

And did I mention how much I love reading Sebald? His gothic prose saves me from my own melancholy every single time.

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“It seems to me then as if all the moments of our life occupy the same space, as if future events already existed, and were only waiting for us to find our way to them at last.”

So ironic in the context of this holiday.

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Life, sketchbook, travels

Holiday journal, 1

A break from the distant past of 2015 to the last holiday we took a few months ago. We’d gone to Sri Lanka, but as you’ll see from my drawings, events conspired to make the holiday more about the hotel room than the place.

“Here we are, in a neighboring country that looks and feels familiar, but such a different vibe, such a different sense of people.”

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We’d planned to go to all these places that I’d drawn in the map, but I ended up in the hotel at Bentota the whole time, because Orin fell ill and only recovered the day we were leaving for Delhi. These are some drawings done on the road.

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On this trip I started using water-soluble color pencils for the first time, and really enjoyed moving away from lines to shadows. (Forgive the quality of these images, my scanner is broken so there’s a big glare in all the scans.)

These drawings done in Kandy Botanical Gardens were the first ones where I was trying to figure out how to use color pencils.

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Discovered the writing of Joan Didion in The Year of Magical Thinking on this trip.

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“You have to pick the places you don’t walk away from.”

And the same is true of people, I think.

Part 2 coming next.

And by the way, I used a Kaagazi sketchbook and loved it. Will be definitely using more of their books now.

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